Category: News

  • Eyes To The Horizon

    In a class on African-American images in TV and film at UMKC I learned what I’ll call a three-party model of social change.

    Last week on Twitter a few people aimed harsh words, including bodily threats and insults, at Joss Whedon for what they felt were the inadequacies of Avengers: Age of Ultron.  Implicitly, they were using what I’ll call a two-party model of change.  Writing as someone who supports gender equality – the change in question here – I hope to convince you that the three-party model is the most effective path toward realizing the change we agree we want.

    The two-party model is all about us vs. them.  It’s a black-or-white mental framework. We – whoever we are – are the good ones: the feminists, the advocates, the truth-tellers, the heroes.  Many of the tweets communicate that, to the Twitter-user (Tweeter?), Joss is not one of us.  He’s called misogynist (not a feminist), pig (same), racist (not a supporter of equality), ugly/can’t write/asshole/disgusting (general other-ing of Joss).

    This is a comfortable frame, allowing the speaker a sweet, addictive hit of self-righteous indignation. Unfortunately, within this frame, not much happens with respect to actual social change; lots of shouting, very little changing-of-minds. Worse, while the defenders of traditional authority find it easy to ignore this type of criticism, and maintain a unified message when they must respond, we pro-change critics often fracture into pissing matches over who is most right.  We argue over who is really “us,” and who is secretly “them.”  As pro-equality forces we divide ourselves and are more easily conquered than we could be, even though in the big picture we’re on the same side.

    In a three-party model we have the same traditional, anti-change authorities (in this case big business, Hollywood, maybe Marvel Studios), but on the pro-change side we have two camps: I’ll call us activists (Tweeters) and pragmatists (Joss).  These two camps play complimentary, reinforcing roles in making social change happen.

    Activists push the horizons of social opinion, in a good way.  They explore the frontiers of personhood, relationships, and empathy, living in new ways, writing and creating art that reflects their experiences, and (yes!) critiquing society’s traditional authorities.

    Pragmatists stand in the middle of the activists’ ideals and the traditional authorities’ power, supporting the ideals while compromising with the powers that be.  If activists are pushing on the forward horizon of social opinion, pragmatists are pulling on middle and rear of society and helping move the average opinion in the direction the activists want!  It’s easy to label pragmatists “sellouts,” or worse, usually from a safe distance.  In reality they are pioneers of their own stripe, normalizing and mainstreaming previously radical social ideas.

    (Get familiar with the Overton window, if you’re not!)

    Joss has written multiple three-dimensional female heroes into the Marvel cinematic universe.  Is it enough, or do we want gender equality to stop there?  Of course not!  Has he done more than 99% of other directors whom Marvel reasonably could have hired would have done?  Yes!  Do we want a Black Widow movie (or movies!), preferably written and directed by a woman, and is Marvel incredibly lame for not doing this yet?  Yes, and yes.

    Long story short, Tweeters; Joss is sympathetic, and he is helping bring about the thing you say you want!

    By all means, offer constructive criticism, but don’t needlessly divide our pro-equality forces!  (See pieces here, here, here, and here for fine examples of good criticism of Joss and Age of Ultron.  You have something to say, and we want to hear it, so write and post it without descending to threats.)  An us-vs.-them attitude rapidly descends into a power struggle, and that is a playing field on which we are at a disadvantage relative to the traditional authorities of our time.  Push as hard as you can on the leading edge of our social horizon, be, create, and report back, but stop short of catching your allies in your fire!

    That is, if you’re serious about change.

    If it’s a hit of self-righteousness you’re after, well, you’ve got that on lockdown.  Your choice.

  • Check Out Quest For Cuba

    I’m pushing the release of Five Star Crush’s “Last Nights” for a week so that I can comment on the whole Age of Ultron / Joss quits Twitter thing. That will be Tuesday after I see the film.

    For now, travel to Cuba with Questlove:

  • FIVE STAR CRUSH | Five Star Crush

    Lyrics by Joel Hines, music by Joel Hines and Five Star Crush.

    Joel Hines (vocals, guitar), Eric Cornwell (lead guitar), Danny Lange (bass, programming and guitar on “Fate of Choice”), Howie Howard (keys, backing vocals), Matt Pluff (drums).

    Recorded and mixed by Duane Trower at West End Studios except “Fate of Choice and “Bang Bang” recorded and mixed at home. Mastered by Howie.

    MFR email list friends can log in to download Five Star Crush below. Join the MFR email list here!

    [member_only]Download Five Star Crush (.zip file of .WAVs) from Dropbox[/member_only]

  • Welcome to the new Mr Furious Records.com

    We love it and hope you will, too:

    • We’re more mobile-friendly than ever; you can stream our entire catalog with one click on any device!
    • We’ve launched MFR member accounts for friends and fans to access exclusive downloads and who knows what else in the future.  That starts today with Five Star Crush – the first time it’s been available to stream online in one place – and will continue next week and the week after with more exclusive music.
    • We look cleaner than ever :-)

    Comment here or PM me if you encounter any errors, weird-looking pages, have any questions, or just want to say hey.  The new site soft-launched a couple weeks ago, and I’ll continue to tweak in the coming weeks, but all of the major functionality should be present and smooth and I’d appreciate knowing if you find it isn’t!

    -h

  • Friday 5/29 Mars Lights Show Added in KC

    2015 May 29, Friday – Kansas City, MO – Mars Lights at The Brick w/ Blue Dream (Chicago).  $?, ??? ages, 9 PM.

    We had a good time with Blue Dream at The Jackpot in Lawrence a few weeks ago. They play bloozy 6Ts/7Ts party music you can dance to if you want.

  • All Of The Orange

    After burning a tube at the Jackpot the other week, Drew’s talking about bringing his vintage Orange OR80 to the Riot Room next Sunday. You probably want to hear that.

    Bring your preferred hearing protection, though.

    2015 April 12, Sunday – Kansas City, MO – Mars Lights at The Riot Room w/ Drag Me To Safe Harbour and Riala. $5-10, ages 21+, 8 PM, FB event.

    2015 April 19, Sunday – Lawrence, KS – Dark Satellites at 8th St Taproom w/ Deerpeople, Hyperbor. $3, ??? ages, 10 PM, FB event.

    DarkSatsDeerpeople

  • Mars Lights on KKFI

    DJ Sunshine’s been spinning us on her Retro Red-Eye Express show. It was “All Tied Up” the other week, and I just sent her the Bang EP, so we hope she enjoys “Radio Edit (Radio Edit)” (or the long one!) and “Ghost You Out.”

  • Catch the Latest Episode of Kibler’s Corner Right Here

    It features Gerardo Meza of The Mezcal Brothers!

  • Get Some Dark Satellites and Mars Lights On Your Calendars

    Updated again 15 March with additional bands and details

    Updated 14 March 2015 with an additional DS show!

    2015 March 18, Wednesday – Kansas City, MO – Dark Satellites at The Brick w/ Drew BlackMedicine Theory.  $???, ??? ages, 9 PM, FB event page.

    DSattheBrick

    2015 March 24, Tuesday – Lawrence, KS – Mars Lights at The Jackpot w/ Blue DreamBraingea.  $???, ALL AGES, 8 PM.

    2015 April 12, Sunday – Kansas City, MO – Mars Lights at The Riot Room w/ Drag Me To Safe Harbour. $5-10, ages 21+, 8 PM, FB event page.

    2015 April 19, Sunday – Lawrence, KS – Dark Satellites at 8th St Taproom w/ Deerpeople, TBA. $3, ??? ages, 10 PM.

  • Clinch Mob Compilation

    I’ve supported the Clinch Mob Compilation for Lincoln musician Pat Clinch’s medical expenses, and I hope you’ll check it out and participate, too. Pat’s a veteran of Strawberry Burns and was recently diagnosed with pancreatic cancer. The comp includes b-sides, unreleased, and new tracks from bands like Ideal Cleaners, Tangelo, Mezcal Brothers, Panda Face, Shacker, and more.

  • Mixing on a Console for the First Time

    A couple months ago Drew and I went in together on a late 1970s Soundtracs FME mixing console, based on Duane’s recommendation.  We scored a good deal on eBay, carefully dragged the 225-pound unit (console + road case) down to the basement, and this past Monday I got to work with it for the first time.

    FME1

    First I tested each channel with one signal, listening and compensating for any differences among them. These circuits are 35+ years old, and have drifted a bit; to get each channel to sound the same I used preamp gain settings as much as 11 dB apart, EQ adjustments of -1.5 dB to +3 dB, and levels as much 4.5 dB apart. That took all morning, and while we’ll tweak it as we continue to use the board, those settings will be a foundation we can start mixes from in the future.

    FME3

    Then I actually mixed a five-song project for upcoming release on MFR. I’d already gotten the mixes to a state I was happy with in ProTools, so I was just routing those tracks through the console and back into ProTools in stereo, making fine adjustments.

    FME4

    Mixing on the Soundtracs was brilliant; revelatory, really.  Even at levels below clipping, the preamps subtly compress and add harmonics in a beautiful way.  The EQ was the best part, though.  In ProTools, I’ll spend weeks on a mix agonizing over tiny changes in EQ, trying to get things to sound their best.  On the console it’s simple and natural to turn up the level, sweep the frequency for the range I want to affect, and bring the level back down until I’ve achieved what I want to hear.

    FME2

    It wasn’t cheap, but even so this piece of gear was well worth it for us, and offers good bang-for-buck in that it will substantially improve every mix we do (think: new Mars Lights LP, new Dark Satelliets LP, Cory’s solo project, and more) from now on.  And it’s fun to use.

    As a bonus, here are some pics of Drew pole-dancing in Wichita Friday night, then deciding to sit on the floor and enjoy the music, at the Mars Lights / Vehicles / Admirals show.

    2015-02-20Drew2 2015-02-20Drew

  • Mars Lights Live at recordBar 2015 Jan 7 Videos