First – new music in a week, or less! It’s already on Bandcamp if you know where to look 😎, I’m just waiting for the Spotify, Tidal, etc. links to come through before posting and sending the email.
( ^ Not joking. No pranks/foolin’ today, please.)
Then, I took a deep dive into analog noise over the weekend, working on two projects. The first inspired the second, and I went with it. I recorded seventeen (!) 46-minute (!!) takes of different colors of analog noise from synthesizers, and from dirt pedals with no input (just turning everything up, sometimes adjusting the tone controls if they worked). This is a long-term project too complex to summarize here.
That experience, and my surprise at the many different types of noise I was able to record, got me thinking about making a noise record. So on Sunday, I did.
The first piece has a beat of sorts, and all the synths are synchronized; the Monotribe syncs the SQ-1, which sends MIDI to Medusa and CV/gate to the MS-20.
The second piece is more ambient (though pretty intense to listen to) and I set up six different patches of gear. The six sections blend into each other, relay-style.
The picture shows my DIY slew module; just a giant capacitor alligator-clipped into the CV path! Works perfectly. I used this trick on an earlier (still unreleased) Night Mode recording as part of a thunderstorm simulator.