Author: Cory

  • AT THE ZOO BAR 2012 MARCH 6 | The Sleepover

  • BELIEVE THE HONESTY, BRO | The Sleepover

  • THE GOLDEN AGE | The Golden Age

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    The Golden Age cover

    1. Dirty Fighter
    2. Endgame
    3. Folks Who Know
    4. Jealous Love
    5. Lucky You
    6. Home Is A Hotel
    7. The Plants You Forgot To Water
    8. Behind Your Knees
    9. Claremont
    10. I Did Not Die Well Back Then
    11. Where Are You Now?

    Rob Hawkins – Guitars, vocals
    Ian Aellio – Bass
    Tim Jensen – Drums

    Cover photography by Jennifer Cuscino

  • SONGWRITER POWER RANGERS on KZUM

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    1. SWPR CoverI Ain’t A Prophet – Ember Schrag
    2. It’s The Only – Cory Kibler
    3. The Wind Knows My Name – Manny Coon
    4. Potion – Lori Allison
    5. La Maria – Ember Schrag
    6. Dreams Really Do Come True – Cory Kibler
    7. Your Momma Called – Manny Coon
    8. Hope and Kindness – Lori Allison
    9. Songwriter Power Rangers on KZUM, full original broadcast from Hardy Holm’s “Alive in Lincoln”
  • DOUBLE LIVE PLATINUM ep / Drive-By Honky

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    1. DLP_1.jpgYou Silly, Silly Man
    2. Ghosts
    3. The Divine Butcher
    4. Move Over, People Are Racing
    5. Fee For Quality
    6. The Trembler & Mr. Vague
  • Omaha Friends, Lincoln Pals, and Members of the Press (Lincoln Invasion content)

    Unfortunately, the Allendales had to cancel their performance at the PS Collective on Friday, June 19th for Lincoln Invasion (they scored a second night opening up for country star Chuck Wicks, I believe). Fortunately for me, I was asked to perform in their stead.

    So, I will be playing a solo show at the Pizza Shop Collective (6056 Maple St, Omaha NE 68104) at 9:30 pm on Friday, June 19th. I am thrilled to be playing; hopefully you’re able to make it (I play first, precisely at 9:30). I’ll be playing new songs that will be on my upcoming record (out sometime this fall) that will, with any luck, make you want to make out with a bonfire. I’ll probably throw in a few Sleepover songs as well.

    Lincolnites: if you want to come, you’re more than welcome to catch a ride with the wife and I there and back; we have room for two (2) people aside from us.

    Thanks!
    Cory Kibler
    www.myspace.com/corykibler

  • CALLA LILY ep / The Golden Age

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  • THE SLEEPOVER EP / The Sleepover

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    1- A Bag With A Money-Sign On It
    2- Built For It
    3- Island of Terror (House of Pain)
    4- Always the Liar

  • Boyz II Men II State Fairz

    A couple weeks ago on a Monday, Lara and I went to the Nebraska State Fair to see Boyz II Men play for free at the outdoor theater. There was an awning, but I don’t want to get into semantics on a Sunday.

    Lara was really excited, because Boyz II Men’s “II” was her first CD, and she spun the living crud out of that bad boy, probably while crying over 12-year-old boys. I didn’t own any Boyz II Men CDs (or tapes?) and I never cried over any 12-year-old boys, but I did know the singles pretty well, and definitely liked them as a youngster. But I don’t think I would have gone to the concert if it weren’t for Lara’s insistence.

    We ate some weird food (toasted ravioli, onion blossoms) and drank some 20-ounce lite beers (hurray for the fair!) and stood on the side of the stage to wait for Boyz II Men to take the stage. The place was PACKED. According to a friend, the crowd waiting to get in at 6 pm was gigantic, even though the Boyz didn’t take the stage until 8 or so. But when they did take the stage, Holy Fishsticks; the crowd went NUTS. They started right off with half of “Motown Philly” (which they later played in full as the encore), and people were flipping out and singing along. The crowd was so consistently enthused that the Boyz repeated a few times throughout the night that “it’s been 14 years since we’ve been to Nebraska, but believe me when I say that it won’t be that long between visits ever again!” The crowd was a grateful one.

    The perils of being a come-back band at the State Fair is that people want to hear the hits, even if you’ve put out 487 new CDs since your last radio single. However, the Boyz handled this very well. They spaced their hit singles out so that the crowd never got restless, and they introduced new material by saying things like, “We know most of you won’t know this song, and that’s okay; we just like this song so much that we think it’s worth playing it for a bunch of people who’ve never heard it.” And the new songs were GOOD. They didn’t have the same sentimental value as “End of the Road” (graduation/prom, anyone?) of course, but how could they? Give them time.

    Apparently, a few years ago, Boyz II Men put out a CD with covers of classic Motown hits, stuff from Smokey Robinson and the like. They played a chunk of about 4 or 5 of these songs at the show, and everyone sung along, especially the older set. During the night, I was constantly amazed at the breadth of age of the people singing along to the hits; there were kids who must have been in middle school singing along to “Water Runs Dry” while their 40-year-old parents did the same. Which proves, I think, that Boyz II Men really did make classic music, even though they were unfortunately grouped in with bands like New Kids on the Block.

    Most of all, Lara and I were just impressed with how good they sounded, and how meaningful and awesome the songs were 10+ years later. If it weren’t for that show, I wouldn’t be buying “II” et al in the coming days. And I wouldn’t be planning on covering “Water Runs Dry” and my next solo show. I hope people give their new stuff the same chance that they gave “II” years ago.

    “Boyz II Men; ABC, BBD! The East Coast Family!”

  • THE MUSICAL TALES OF PAT BRADLEY

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    MFR023 The Musical Tales of Pat Bradley cover1- Sunny Farm
    2- Durango
    3- Two Days in the Valley
    4- Answer?
    5- Baby Blue
    6- Maybe
    7- Memory Lane
    8- Cavernous Hole
    9- Cabin Fever
    10- Fire Safety

  • REAL AWFUL, REAL QUICK / Robot, Creep Closer!

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    MFR022RealAwful184.jpg 1- Clockblocking
    2- Totally Out of Control
    3- Sexy Survival
    4- Why Don’t You Go Ahead And Have Yourself A Summer While You’re At It?

  • Pfork blog

    This last weekend, Matt Wisecarver and I were fortunate enough to visit Chicago for the Pitckfork Music Fest. It was also our first time visiting Chicago, so we got a lot of awesome stuff under our belts.
    Before I get to the bands/festival, here are some quick highlights:
    • Ate pizza for pretty much every meal.
    • Drank roughly 4 troughs of Goose Island Beer, a brew out of Chicago but available in the Midwest.
    • Stayed with my old friend Katie, who studies eyeballs but is very nice regardless. She was an excellent host.
    • Visited Reckless Records, Intelligensia Coffee, and Nookie’s Diner.
    • Saw two crazy boys jumping speed-bumps on a yellow moped, holding each other and giggling.
    • Experienced Wrigleyville game-day madness (didn’t go to the game, though).
    • Paid $10.95 for a pack of cloves.
    • Visited a mega-bar called The Sheffield, and met crazy weirdos.
    • Visited a comfy, worn-in dive bar called Nisei Lounge and did a Jager-Bomb with the bartender.
    • Hung out with Doane pals Julia Worth and Brandon Anderson.
    • Was spied on by window-men.
    • Visited the lake, played the “t-shirt” game.
    Now, a rundown of my Pitchfork Music Fest experience:
    First of all, it was a very well-run event. There were no fights, riots, altercations, or anything. Everyone there seemed to be pretty cool, although some d-bags were throwing cardboard show-flyers into the air, which is cool if you’re 10, but I digress. The water was cheap (1 dollar), the food and the beer was reasonably priced (4 dollars for a microbrew and about 5 dollars for a meal), and they had various activities like basketball and beanbags to keep people busy, plus mist-spraying cool-down tents. And now for some comments on the bands.
    Day ONE:
    Grizzly Bear- Seemed like they’d be awesome to listen to while relaxing or on a road trip or something, but didn’t own the audience like a band should at a huge outdoor festival. They were ambient and had weird arrangements, and I guess I just wanted to be smacked in the face with music. I think the goal for any festival playing band is blow the audience’s minds. But they sounded pretty cool.
    Battles- I had high expectations for this instrumentalish experimental dance-rock band, but again, I was kind of let down. I mean, their stuff sounded pretty cool, and I’m sure I would have loved it if I saw it in a small club, but during some of their set, they just sounded so SMALL. And kind of unorganized. They were at their best when the drummer was going nuts.
    Iron and Wine- I had hardly heard any of their stuff, but they had plenty of people onstage doing stuff to really round out the sound, and they were excellent, beautiful, and totally captivating, besides some crackling on the vocals during part of the set. Folk music rules. I heard some Calypso in there, too.
    Mastodon- Holy Shit. METAL! They owned. They were awesome/aggressive/terrifying. They played my favorites. There was even a mosh-pit (!!![???]). They put on a SHOW, and had a gigantic “Blood Mountain” banner behind them. Yikes! I wish I could pull off that kind of facial hair.
    Clipse- The highlight of Day 1. The hip-hop duo just came on and made the crowd GET DOWN! Their skills were awesome, the beats were sick, and they were very gracious, especially when expressing their gratitude towards the Pitchfork community for giving them so much love and support. Hip-hop shows are hard to top, and these dudes just came out and went NUTS!
    Cat Power- I thought I might be more pumped on this motherfolker, but for whatever reason, I was a lot less interested than I thought I’d be. Probably because I was buzzed, tired, and dehydrated.
    We didn’t stay for Yoko Ono, although I guess she brought out Thurston Moore from Sonic Youth. I just don’t know ANY of her songs. Plus, we wanted to beat the crowd on the train. She’s 74!!!!!!! DANG!
    My second day of Pitchfork was just as cool as the first. I think I heard some more cool bands, anyway.
    Menomena- I caught about 3 of their songs, and they were awesome, but I can’t remember what exactly they sounded like. Visit their myspace!
    Junior Boys- Cool awesome dance music with rock vocals. Totally fun to listen to. The program likened them to Justin Timberlake beats, and I wouldn’t say that, but they ruled either way.
    Jamie Lidell- this was one of the highlights of the festival. Lidell, from the UK somewhere, is this guy who writes and records the backing tracks for his music. Then, when he plays live, he’s by himself, and he sings along, and these songs are SOUL SONGS. And he totally captivates the crowd. Like Sam Cooke or some shit. Other times, he’ll just play some grooves on his turntables, but it’s all very fun to listen to. He had a terrific voice, and he looked like a “homeless bloke” (his words). He was wearding this weird shitty leopard pring shirt and he had all sorts of paper or something streaming from his head.
    Stephen Malkmus (from Pavement and The Jicks)- It was mostly just Stephen, although he was periodically accompanied by a drummer friend during the set. He played some gnarly classics including “Spit On A Stranger” from Terror Twilight. Which was beautiful. The only bummer is that, because he was so quiet compared to the rest of the bands, you could REALLY heard Of Montreal sound-checking at the other stage I mean, it was necessary, but I couldn’t help feel that Of Montreal were being rude. But…
    Of Montreal- ROCKED! I just started listening to these guys a few months ago, and they are awesome fun psychadelic pop music from Athens, GA (and yeah, they are connected to Elephant 6/Neutral Milk Hotel/Elf Power/etc.). They are weird and profound and sexy, and put on one of the WEIRDEST live shows I’ve ever seen. Lobter-handed debutantes (sp?), golden-jumpsuited women painting themselves, dudes in fencing outfits, an alien pretending to sing, and the lead singer, Kevin Barnes (who swears he’s straight) looking pretty in red eye shadow, a black corset, a black biker hat, black leather panties with a zipper in the front, and a black garter belt. Yuck! And, BOING!
    New Pornographers- Sounded cool but I was too busy drinking and chatting to really pay a ton of attention. I was tired.
    De La Soul- Okay, so they sounded the best out of every single band there the whole weekend. They were awesome, energetic, funny, and they sounded HUGE AND AWESOME. Unfortunately, we were exhausted again, and we left during their set. It was a necessary evil, as we also had to beat the MASSIVE CROWD to the train station. I mean, it would have been nasty. I hope I get to see them again when I’m not totally burned out.
    Love,
    Cory Alan