I had the session for Drone Space Nine’s “Through the Eye of Destiny” open in order to make an excerpt for mr|signal, and noted down the sound sources for anyone who might be interested. In order of appearance:
Korg MS-20
Dreadbox Medusa
EarthQuaker Devices Park fuzz
Moog MF Drive
BYOC Triangle-spec Big Muff
Korg Monotribe
Dreadbox Medusa
Korg Monotribe
Arion SMM1 distortion (and EHX Russian Small Stone)
Brittany Howard, “What Now” (2024) – Cousin Brit set the bar for 2024 with her album full of deconstructed art-soul; bits bang, but she never luxuriates in any of the grooves for long, always moving.
High On Fire, “Cometh The Storm” (2024) – Matt & Co. are still dealing absolute heat even as the band is old enough for the good rental car rates.
Kim Deal, “Nobody Loves You More” (2024) – Simultaneously everything I could have wanted from a Kim record under any banner, and having enough distance from The Breeders to be distinct. Who knew that a low-key mariachi backing band would compliment Kim perfectly? (She did.)
Amber Mark, “Comin’ Around Again,” “Space & Time,” “Lovely Day,” “Loosies” (2024) – Amber casually drops torchy bangers like other artist post Reels (or whatever). Feels like she’s building toward something and I cannot wait to find out what.
Mr. Furious Records had our 20th birthday in September, and this week on Dat Fury Radio Cory and I began the belated celebration; listening to the entirety of the mr|signal compilation from the beginning.
It’s been quite a while in the works and I’m excited to get it off the ground. Four episodes are in the can and ready to schedule once I see some plays on the teaser. From there I’ll be working with Mr. Furious Records and Datura Records artists and friends on shows, and filling in the gaps with whatever strikes me.
Back in 2016 I developed some modifications for the Boss MT-2 Metal Zone. This widely available and affordable distortion pedal has sold thousands upon thousands of units, despite a reputation for sounding absolutely terrible.
In the video below I demonstrate these mods.
Can it sound… good?
You can read about these mods in much more detail over at Mr. Furious Audio (Simple Dog / God of Cake).
I could be wrong, but I’m pretty sure I remember clicking that fateful click from a dark office at the far end of a hallway inside Wayzata Community Church. (Would make sense, as it was a Tuesday.)
There is a celebration brewing in my imagination for the coming weeks.
In the meantime please welcome Josephine Cumulus “Josie” to the label, who joined our family yesterday. She is super sweet, but doesn’t hold very still for selfies yet.
There’s not a ton there, but the news updates track us through 2003-04, there’s a couple photos on the “Multimedia” (!!) page, and the color scheme sure takes me back.
It’s website redesign day! Everything should remain available but might look weird; have some patience as I work <3 -h
4:01 PM CST – I’m about done for the day. I will keep picking away in the coming days and weeks, but I’m satisfied enough with the functionality and look that I’m going to leave the new theme up. Enjoy, and get in touch if you have any issues or feedback! -h
On Daniel’s implied request, Dharmic Beams is the first release to go back up on major streaming platforms through our new digital distributor. I’m planning to do a set of 3-5 more in the coming weeks, possibly including a new one!
Over the weekend I ran into VB, Paul B’s mom at the library event (Hi, Paul! She said you check the site but I wasn’t sure which one so I’m posting both on the main MFR site and the howie&scott sub-site. Very cool that you keep tabs on us, I had no idea!). For Paul and everyone else I wanted to post an update on recent-ish and upcoming music Scott and I have made / are making, since it’s not all under the h&s name.
“V for Voice”, our 2019 comeback record –
“An Evening at Home with Howie and Scott,” our deep pandemic stay-at-home EP –