• Five Star Crush tonight in Columbia MO…

    …and I’ll let you know how that goes.  We haven’t played in more than a month, I think.  Practice at 6, hit the road at 8, show at 11 or 12 probably.  If you’re out tonight, raise a glass to my muscle memory…  See my Ultimate Oven Fries recipe posting in a few minutes, if you’re in.  Or, you have time to make them before you go out, really.

    I bought Fleet Foxes at Starbucks yesterday, the first time I’ve ever purchased music there.  That disc has been on my list for a while.  Am pumped.

    Backordered wi-fi antennas mean that my Mac is still incommunicado with the interwebs, so I haven’t shifted much to iTunes yet. -h

  • Caleb Burhans in the Times

    A Man of Many Talents, Eager to Use Them All by Allan Kozinn, October 3 2008 at NYTimes.com

    At 28, Mr. Burhans has pursued a career path so logical that it seems almost foolproof. Just sing, compose and master several instruments (besides the violin he plays viola, guitar, bass, keyboards and percussion) and the New York freelance world is your oyster. But this is a new development. Until recently, the conventional wisdom went, musicians with diverse talents should specialize: decide whether they are better suited to composing or performing, singing or playing an instrument, working in classical music or a variety of pop.

    And while most young musicians still make the traditional choices and scramble to find work in freelance ensembles until they have established themselves as recitalists or chamber players, others are seeking to diversify. Mr. Burhans’s generation is the third to come of age during the rock era, and where conservatories once taught only classical music, most now offer courses and even degrees in jazz and rock, recording technology and the music industry itself. And musicians who grew up hearing everything from Mozart and Ligeti to Wilco and Radiohead are less inclined than their elders to compartmentalize their passions.

    “I was always told, when I was a kid, that you have to decide at some point what it is you want to do,” Mr. Burhans said one afternoon early in his composing break. “And I thought, that’s cool. I’m going to school and study violin, viola and composition, and I’m playing in jazz and rock bands, and when I move to New York, that will decide it for me. People will see what I’m best at, and that’s what I’m going to do.

    “But when I got here, I actually did the opposite. I kept doing them all, and I love it. The variety keeps me on my toes, creatively.”

    TKTK

  • The report from our GreenJobsNow.com event…

    …is now online at http://events.greenjobsnow.com/greenforall/reports/8188

    Thanks everyone!

    -howie

  • Howie – Live acoustic in Crete this Saturday Sept 27

    I’ll be playing in my own living room as part of a Green Jobs Now event MFR is hosting along with my folks, the Kiblers, Cari Ann, and probably more!

    Click here for event details.  7 PM.  RSVP if you can.  Sign the petition on your own if you can’t.

    SEE YOU

    -h

  • "Cooky" and "Lost" Coming ASAP

    I know it’s been a billion years since I put out new music.  That’s changing.

    One-take acoustic versions of “Cooky” and “Lost” are coming to “Furious Instance” in the very near future – a couple weeks.  These are brand-new tunes in an upbeat pop style, too new to have been assigned to a particular project in my mind.

    For those of you who made a gift to the Mexico trip and received “Songs of -h,” these tracks will sound like the version of  “Major & Minor” on that comp.

    I am in rehearsal now (they’re tricky!) and look forward to getting your reactions to new stuff.  -h

  • Cory Kibler Plays TONIGHT in Lincoln

    Guys and Gals-

    I will be joining Dan Jenkins (Ideal Cleaners), Nick Westra (Crush The Clown), and Patrick Bradley (10th Horse, Amalgamators, Tangelo, The People’s Family Band, Pharmacy Spirits and about 50 more I think?) TONIGHT (Thursday, the 18th). It’s a show for Lincoln Calling (http://www.lincolncalling.com), and I am THRILLED. Through the kind, good graces of the other gentlemen, I am able to fill in for Matt Martinofsky, who unfortunately had to cancel.

    12th Street Pub (12th and O)

    6 pm SHARP (I play first, RIGHT AT 6!)

    Free, or cheap, I think.

    I will be playing something like 3 or 4 brand new songs! I’m excited.

    Join us!

    Cory Kibler

    http://www.myspace.com/corykibler

  • Sarah Palin is Qualified (To Go Out With Rob)

    Rob Spectre, formerly of Arturo Got The Shaft and currently of (dream) Not Of today, ended his songwriting drought on Monday with “Sarah Palin is Qualified (To Go Out With Me)” via YouTube.

    Indeed she is, Rob. And as you sing, it’s the only thing she’s qualified for!

  • Boyz II Men II State Fairz

    A couple weeks ago on a Monday, Lara and I went to the Nebraska State Fair to see Boyz II Men play for free at the outdoor theater. There was an awning, but I don’t want to get into semantics on a Sunday.

    Lara was really excited, because Boyz II Men’s “II” was her first CD, and she spun the living crud out of that bad boy, probably while crying over 12-year-old boys. I didn’t own any Boyz II Men CDs (or tapes?) and I never cried over any 12-year-old boys, but I did know the singles pretty well, and definitely liked them as a youngster. But I don’t think I would have gone to the concert if it weren’t for Lara’s insistence.

    We ate some weird food (toasted ravioli, onion blossoms) and drank some 20-ounce lite beers (hurray for the fair!) and stood on the side of the stage to wait for Boyz II Men to take the stage. The place was PACKED. According to a friend, the crowd waiting to get in at 6 pm was gigantic, even though the Boyz didn’t take the stage until 8 or so. But when they did take the stage, Holy Fishsticks; the crowd went NUTS. They started right off with half of “Motown Philly” (which they later played in full as the encore), and people were flipping out and singing along. The crowd was so consistently enthused that the Boyz repeated a few times throughout the night that “it’s been 14 years since we’ve been to Nebraska, but believe me when I say that it won’t be that long between visits ever again!” The crowd was a grateful one.

    The perils of being a come-back band at the State Fair is that people want to hear the hits, even if you’ve put out 487 new CDs since your last radio single. However, the Boyz handled this very well. They spaced their hit singles out so that the crowd never got restless, and they introduced new material by saying things like, “We know most of you won’t know this song, and that’s okay; we just like this song so much that we think it’s worth playing it for a bunch of people who’ve never heard it.” And the new songs were GOOD. They didn’t have the same sentimental value as “End of the Road” (graduation/prom, anyone?) of course, but how could they? Give them time.

    Apparently, a few years ago, Boyz II Men put out a CD with covers of classic Motown hits, stuff from Smokey Robinson and the like. They played a chunk of about 4 or 5 of these songs at the show, and everyone sung along, especially the older set. During the night, I was constantly amazed at the breadth of age of the people singing along to the hits; there were kids who must have been in middle school singing along to “Water Runs Dry” while their 40-year-old parents did the same. Which proves, I think, that Boyz II Men really did make classic music, even though they were unfortunately grouped in with bands like New Kids on the Block.

    Most of all, Lara and I were just impressed with how good they sounded, and how meaningful and awesome the songs were 10+ years later. If it weren’t for that show, I wouldn’t be buying “II” et al in the coming days. And I wouldn’t be planning on covering “Water Runs Dry” and my next solo show. I hope people give their new stuff the same chance that they gave “II” years ago.

    “Boyz II Men; ABC, BBD! The East Coast Family!”

  • I Hope You Won't Believe…

    …how much of a sap I am for Billy Joel’s “Scenes from an Italian Restaurant.”

    Hearing it tends to make me physically helpless for its duration plus at least a few minutes more, and emotionally helpless for anything from a half-hour to the next day. And the effect is not wearing off. So I’m starting to wonder about this song and its power over me.

    Two old friends, long out-of-touch, sitting down to dinner and remembering “sweet romantic teenage nights… hanging out at the village green” and we’re rolling our eyes, right? Right. But still. There’s something about the way Joel completely inhabits the point of view of a guy who is starting to notice his age, who thinks he’s been working hard on his career and second marriage, and is seeing in this moment that it doesn’t mean to him what he thought it did. He dismisses ten or fifteen years of life with

    I got a good job, I got a good office
    I got a new wife, got a new life
    And the family is fine…

    The friends fade into a memory…

    Brenda and Eddie were the popular steadies
    And the king and the queen of the prom
    Riding around with the car top down and the radio on
    Nobody looked any finer
    Or was more of a hit at the Parkway Diner
    We never knew we could want more than that out of life
    Surely Brenda and Eddie would always know how to survive…

    Of course, they wouldn’t. “The Ballad of Brenda and Eddie,” the middle section and beating heart of “Scenes…” is what I love most in it. Brenda and Eddie are human after all, divorcing when “the money got tight.” Maybe our singer feels better knowing that nobody’s life is turning out perfect, or even as they expected to.

    “Scenes…” is a meditation on change – big life changes – and the struggles of broken people as they try to navigate them. The key for me is at the end of “The Ballad…”

    Then the king and the queen went back to the green,
    But you could never go back there again

    It’s a bittersweet moment of clarity that home, if we’re ever going to feel it again, lies ahead of us.  Never behind.

    And really, it’s only with that insight that the possibility of home reappears.  Attachment to a past that “you could never go back” to actively prevents the realization of home.  All of a sudden, I find myself in very Buddhist territory.  (This is also how I read Genesis 3:22-24.)

    That’s the truth that draws me back to the story of Brenda and Eddie over and over.  -h

  • What if…

    …you made hip-hop beats at a faster-than-usual 130-135 BPM?

    And then sang new wave vocals over that?

    As of today I have a new Mac mini, including GarageBand, and I intend to find out.  I’m telling you because maybe you will take this idea and do something awesome with it, and I could feel good about that, too.

    In related news, I got a 160 Gb iPod as well; I’ll keep you posted on its impact on my listening habits.  Right now I mostly listen to full albums on CD and don’t skip tracks, and I don’t make mix CDs.  -h

  • Project Update

    Just a short what’s-going-on today.

    Jill and I saw The Combine at Davey’s Uptown in KC last night; this hip-hop duo are friends of mine.  I mastered their new album (still unreleased) back around November and they’re still slotted to put out an exclusive EP on MFR.  Big ups to opener Jus Kos from Denver
    B is coming over in a couple hours to record his vocals for SR’s “You Have To Wear The Boots”!  I’m excited to be making progress on “…Boots,” and it’s been fun to have the songs bubble back into my consciousness after a long break.

    5*C has been playing shows, with two new songs in our set.  We’re hoping to arrange two more at our next practice.  It’s too early to say anything about recording, but a 10-song disc with remastered tracks from both EPs, “Bang! Bang!” and an interlude by Danny is available at shows.
    Fifty Bears in a Fight worked up a new song at our last practice based on a riff I wrote in Mexico in June.  We’re going to demo five (!) new instrumentals at our next get-together.  We’re also collaborating with a local singer who is interested in working alongside Tim to provide us with vocals.  The shape of that relationship is still being formed.

    Matt is working on a customized kick drum stand for me that will let me mount my kick with the heads facing up and down, so I can hit it with sticks from one side (like a floor tom) and a reversed pedal from the bottom.  Clear as mud?  This is a necessary piece of equipment for the way I envison the rhythms for “Ventura” will come together.  I’m pretty stoked.

    I was working on a new tune last night, nothing finished, but in the vein of “Cooky” (see lyrics posted below).  Looks like my album after “…Not Nothing”/Sleepover?/”…Boots”/”Ventura” might be a kind of straight-up pop like I haven’t done since the echoes stuff.  It would probably be less punk and more eclectic than those EPs.  Also, Cari Ann sang some harmonies with me the other day, and that was pretty kicking.  We were singing “Ventura” songs, so I’m not sure how much sense it makes to have guy-girl vocals matched with those lyrics, but there’s some rich potential there for something.

    I have website ideas too.  I’m getting super-itchy to get a new release out; Matt and I just need to block off some time and wrap up “There is Something and not nothing.”  Then we’ll have a killer release party at my house, I have it all planned out.  Including a treat for you guys who won’t be able to make it to KC :-)

    -h

  • Cooky

    For your Saturday pleasure, here are lyrics to a brand-new song, “Cooky.” I haven’t been writing a whole lot for myself lately, but this is a fun one. -h

    I was wrong
    You were right
    #$*%&# (Go on) you can spell it how you like
    Common sense be damned, full speed a-
    Head; conventions never were your thing
    Type those pretty thoughts into the
    Night
    Talking hard
    I used “proscribe,” you called me out
    You know I love to argue, babe, I
    Don’t take prisoners but I’ll fight you fair
    Maybe I’m the lunatic you’re looking for…

    I don’t need to win, don’t ever walk away
    From an honest debate
    Hey, it doesn’t matter, doesn’t mean a thing
    When did we stop having fun in here?
    My Heart, I’m yours
    And your sketchy spelling doesn’t change a thing about us
    Trust me when I tell you…

    She
    Doesn’t know
    Your name – I didn’t tell her who was
    Talking like a cookbook from the
    Fifties, I just said you were a friend
    Anonymous as ever
    At my job
    Slacking off
    Can we sharpen wits without it being
    Hurtful? God I hope so, kid
    I need to feel we’re cool with repartee
    Holding back holds us apart…

    Are you coming out tonight? I want to sing,
    Run my hands through your hair
    Your taste is like a tide that’s sweeping over me
    When did this become a fight worth fighting?
    Love, I’m yours
    And your quiet, casting eyes don’t change a thing about us

    Cowboys, Beastie Boys, crazy boys
    All have a better claim on you than I can make my case for
    Love, the dictionary has defeated me
    We lost the battle, let’s win the war

    I wuz rong
    U wer rite
    U kan spel it how u lyke

    Because I don’t need to win, don’t ever walk away
    From an honest debate
    Hey, it doesn’t matter, doesn’t mean a thing
    When did we stop having fun in here?
    My Heart, I’m yours
    And your sketchy spelling doesn’t change a thing about us
    Trust me when I tell you that
    My Heart, I’m yours
    And your sketchy spelling doesn’t change a thing about us