Category: News

  • Chicago Vinyl

    I went to Chicago last weekend to see Bear.  After that, and getting deep-dish pizza, the next thing I wanted to do was check out some record stores and see if I could find things I haven’t been able to in KC.

    This list was a help, Bear picked out a couple within walking distance of her place, and off we went.

    2010-05 Chicago record shopping.jpg

    Groovin High is a cool little shop with handwritten receipts and an owner/operator who clearly knows the scene and his jams.  He had more new vinyl than used, which surprised me, but I found some great stuff, starting with the Madonna shown above.  When I went to pay, owner-guy complimented my eclectic choices.  It seemed to be a genuine compliment from a record store guy; I wondered if hell had frozen over.

    • The Pretty Things, “S. F. Sorrow” (2008 Sundazed reissue) – Drew’s gotten me into The Pretty Things, and this is one of their classics.  It’s not original, but it will sound great and be fun to have.
    • Madonna, “Like a Virgin” – I don’t have any Madonna, and this seemed like a place to start.
    • Nilsson, “Aerial Pandemonium Ballet” – Groovin High actually had four Nilsson records I didn’t, but I wasn’t prepared to shell out twelve bucks apiece for four records.  Bear used her iPhone (handy in the city!) to pull up Allmusic and we figured out which one might be best.  This is selected tracks from “Pandemonium Shadow Show” and “Aerial Ballet,” some with new mixes and/or new vocal tracks

    .
    From there we continued down to Reckless on Broadway, one of three Reckless Records stores in town.  It was giant, about 50/50 new/used, and thankfully had major artists separated out to make it easier to browse.  I started slow there, but eventually found finds:

    • Elvis Costello, “Trust” and “Imperial Bedroom” – All my Costello was on CD until now – mixing media for an artist isn’t my favorite thing to do – but I got good deals on these albums.
    • The Pretty Things, “Silk Torpedo” – At this point I have more ’70s Pretty Things than ’60s, but I’m still excited to hear this.
    • U2, “The Joshua Tree” – It was kind of high, but it’s in beautiful shape, with the original poster, and it completes my U2 vinyl up to “Achtung Baby;” worth it.
    • Bruce Springsteen, “Greetings from Asbury Park NJ” and “Born to Run” – These aren’t in great shape, but I think they’ll play, and they mostly finish out my Bruce.  At $2, I couldn’t pass them up.

    .
    I was thoroughly satisfied and thought I was done at this point, but a couple days later on my trip home, I stopped in Iowa City to see Scott and he took me to Record Collector.

    • Heart, “Little Queen” – I’d been looking for this ever since CA sang “Barracuda” at karaoke, including in Chicago, but finally found it here.
    • Black Sabbath, “Paranoid” – In beautiful condition.
    • The Beatles, “Abbey Road” – My year of late-onset Beatlemania continues.
    • Blondie, “Eat To The Beat” – Hey, it was a buck.
    • Erroll Garner, “Gems” – I never pass up a cheap Garner record.  If you’ve heard him, you probably dig why.
  • Congrats Jessie!

    I played Bright Eyes’ “First Day of My Life” for Jessie’s first dance at her wedding the other week, and someone snapped this pic.

    0813.jpg

    Thanks for sending it on, Jessie, and congratulations to the happy couple! -h

  • Get On Your Boots

    The drum kit’s set up again, and today I started seriously practicing to record the 4 drum tracks I need to do for “You Have To Wear The Boots.” It’s been a long time since I played drums; for the past couple weeks I’ve just been sitting down to jam for a few minutes at a time, trying not to get blisters. I should have some vacation later this month, and one of the things I want to do is record the drums and bass for “…Boots.” Then I can start mixing; the last voice and flute parts will be easy to slide right in, whenever they are recorded.

    This is only possible because the first tunes by the Band Formerly Known As Fifty Bears In A Fight are exxxxxxxtremely close to being DONE. -h!

  • How do you quantify honesty?

    The A.V. ClubThe Big Questions The story of my life: Is there such a thing as an honest song?

    “…I’ll admit that the question is fundamentally unanswerable. You might as well ask “How do you quantify honesty?” or “Is anything really honest?” Pondering such a conundrum forces you to assume way too much about the inner reality and deepest intentions of a songwriter. But that doesn’t make it any less fun to bat the question around, especially since music fans, critics, and songwriters themselves take the issue of honesty so seriously…”

    Worth the read, but as usual when it comes to issues of black, white, and gray, the author can’t quite manage to get it right.

    Nothing’s purely, perfectly honest in the way the author seeks.  Nothing’s completely fake, either.  (There’s the black/white fallacy.)  Everything’s gray, but we can still make meaningful distinctions between lighter and darker gray (the fallacy of gray claims we can’t), and that’s all we need to do the critical work we’re trying to do.

    Honesty and integrity are slippery buggers to nail down, but I suggest the real test is the presence, or absence, of a hidden agenda.  An artist who is sending dog whistle messages, or using irony in a way most listeners don’t pick up on, or is presenting fiction as fact, is less authentic than an artist who is not doing these things.  From this perspective, we avoid the issue of privileging either literal or abstract lyrics over the other.

    Also, it separates the issue of honesty/integrity/authenticity from aesthetic value; it allows us to say a song lacks integrity and is amazing, or that an honest tune is rotten.

  • Thanks Astrus

    Hey, Gordon Shumway!” from Arturo Got The Shaft’s “A Life Without Fireflies” is fixed.  Sorry for the poor audio – I don’t know how long the archive.org file has been cut at about 0:56 – and thanks to commenter Astrus for alerting us.

  • Everything I know I learned from lyrics

    From: howie [mr@mrfuriousrecords.com]
    To: Jake [jaywill@almamater.edu]

    walking down the stairs first thing yesterday morning, i found myself singing “always on my mind” for no apparent reason. cool! -h

    From: Jake [jaywill@almamater.edu]
    To: howie [mr@mrfuriousrecords.com]

    While working on lessons for my students, ran across an idea. We’re reading/writing over the idea of “Everything I know I learned in kindergarten” and this list spun out of that idea. Some of the first lyrics that popped into my head were h&s. Pretty crazy, because I haven’t spun those discs in a year or so.

    Everything I know I learned through song lyrics.

    10. You’re going to miss the innocence you’ve known.

    9. If you want to end up with more, you should just stay in bed.

    8. You’re never too old to come back with, “Fuck you, I won’t do what you tell me.”

    7. Sometimes you’re out of your league, like Jordan was with baseball.

    6. If I hadn’t made me, I’d have fallen apart by now.

    5. You can paint whatever pictures you want to when you’re on your own.

    4. It takes a long time to stand, and an hour to fall.

    3. We don’t stop until we reach an end.

    2. Nobody gives a fuck about an oxford comma.

    1. Turns out not where, but who you’re with, is what really matters.

    You recognize all/any of these songs? It is pretty strange to think about the lyrics that run through your head at such random times. What would be on your top ten? -jake

    From: howie [mr@mrfuriousrecords.com]
    To: Jake [jaywill@almamater.edu]

    mind if i blog this exchange this weekend? i’ll do my best from memory, then turn to google…

    10. reminds me of wilco’s “i’ll miss the innocence i’ve known, playing KISS covers, beautiful and stoned…” from Heavy Metal Drummer.

    9. huh, no idea. top google result is an article about how to stay awake all night at a sleepover. can’t find it.

    8. Rage, of course! That record *always* sounds great when it comes on shuffle.

    7. i’m sure it’s part of some rapper’s verse, but i don’t know who. could be Tribe given our past conversations.

    6. yep, Incubus.

    5. :-)

    4. Don’t know – great line – oh, Elliott Smith, rad. He’s got a thousand great ones.

    3. Stop Walking

    2. Vampire Weekend

    1. oh, I know this… oh, Dave!

    here’s a few… don’t know how recognizable they’ll be… just scanning through my library, picking some stuff that always catches my ear or is more meaningful than usual. -h

    10. Did you feel the breeze, my love? Summer’s kiss is over baby, over… Do you know the words? Sing along with me, and put on your rose fur coat, baby, ’cause it’s 1973…

    9. Handfuls of pills, bottles of pills, now do you see? – this isn’t over yet. This isn’t what I’ve asked for, this is what I’ll get.

    8. Hey, Gordon Shumway, what does a guy like you see when you look at me? Is there a geek extraterrestrially, or is the universe full of a bunch of MIBs? Is there a planet you’ve seen where everybody unique is jamming to the same hard geek rock beat? I said, “How do we get there, how do we stay, hey what do you say Gordon Shumway?”

    7. I’m fixing a hole where the rain gets in and stops my mind from wondering where it will go…

    6. She’s got cigarette on each arm / She’s got the lily-white cavity crazes / She’s got a carburetor tied to the moon / Pink eyes looking to the food of the ages

    5. This isn’t easy for me to say, Diane / I know you don’t need anybody’s protection / I really wish I was less of a thinking man, and more a fool who’s not afraid of rejection…

    4. What is the Black Star? / Is it the cat with the black shades, the black car? / Is it shinin’ from very far, to where you are? / … / Black like my baby girl’s stare / Black like the veil that the muslimina wear / Black like the planet that they fear, why they scared? Black like the slave ship that later brought us here / … / Blacker than my granddaddy armchair / He never really got no time to chill there / Cause this life is warfare, warfare

    3. Just the other day you tried to explain / Afraid and wondering what the older has to say about what it is that you are going though / And I would not listen / And it disappoints you, but I hope your wax wings keep the air under you…

    2. Mystery achievement / Don’t breathe down my neck, no / I got no trophies on display / I sign them away, I mean what the heck / All of your promises don’t fill me with pride, no / I just want to get out on the floor and do the Cuban Slide, Slide, Slide…

    1. I wonder what you’re waiting for / … working for / … living for / … dying for / First wave down / I wonder when they’re coming back / First wave intact

    From: Jake [jaywill@almamater.edu]
    To: howie [mr@mrfuriousrecords.com]

    Nice job! Numer 9 and 7 were the most abstract. 9 is “The Streets” on “It Was Supposed to Be So Easy” one of my favorites from his best album. 7 is “Jurassic 5” from the track “At The Races.” Not sure on the rapper, but I think it is Big Daddy Kane absolutely killing it.

    I had a hard time on your list. 7 is The Beatles. Is number one Modest Mouse? 4 is some emcee. 8 I’m thinking must be Arturo Got The Shaft. Feel free to blog it. It’s pretty interesting to look back at the tracks or lyrics that have stuck with you over the years. -jake

    See the comments for my key. -h

  • Loud Band News

    We’re moving to the mastering process with the first tunes from the Band Formerly Known As Fifty Bears In A Fight.  If you have any awesome band names you’re holding on to, please comment.  This means we’re close to getting the first jams out to you, finally, after two and a half years of work.

    We’re also planning for a show in June, probably in Lawrence.  Stay tuned; same bat time, same bat station.  -h

  • The Golden Age

    Next Saturday, April 3, Mr. Furious Records will release The Golden Age’s self-titled album, Rob Hawkins’ follow-up to the incredible “Calla Lily” EP.  We hope you’ll enjoy it, and we’re honored to be a small part of it.

  • SWPR Soup Cook-Off Saturday

    From the press release:
    “Songwriter Power Ranger was an acoustic concert series that started in spring 2009 and ran through the autumn of that same year.  It was a beautiful partnership between two Lincoln music-scene veterans (Cory Kibler and Ember Schrag) and Box Awesome/The Bourbon Theatre. It was named so, because these gatherings of local songwriters resembled the coming together of the Power Rangers to create one enormous, crime-fighting robot, only with songs and drinks instead of karate-chopping and explosions.

    swpr.jpg“The series brought in many beloved regional acts (Sarah Benck, John Walker, Brad Hoshaw, Midwest Dilemma, Dereck Higgins, et al) as well as a few nationally known artists (Ali Harter, Jake Bellows).  The shows were fun and lighthearted, and had a charming, earnest sense of music and community.  Also, there were crazy drinks from zany bartenders.

    “On Saturday, March 27th at the Bourbon Theatre (1415 “O” Street), Songwriter Power Ranger will make its glorious return for one night only, and the cover is a mere $6.  There will also be a soup cook-off, and Bourbon gift-certificates will be awarded for those who place 1st, 2nd and 3rd: just bring a crockpot full of your soup, and let the crowd pick its favorites.  The soup cook-off begin at 5 pm, and the music begins at 6 pm and ends at 9 pm.  Consider this a Lincoln Music Event in line with the wildly successful “Under the Covers” event held at Duffy’s back in January.

    Performing are Cleemann (Denmark), Rob Hawkins (former Golden Age), Das Hoboerotica, Ember Schrag, Cory Kibler (The Sleepover), and Chanty Stovall.

    “Thank you very much for your time, and please let Ember (ember.schrag@gmail.com) or me (cory.kibler@gmail.com) know if you have any questions.  We hope you’re able to post the press release/spread the word, and we’d (of course) love to see a story or five written about the event.  We want to make it a huge success!

    “Sincerely,
    Cory Kibler”

  • MR|Review – Ted Leo And The Pharmacists’ "The Brutalist Bricks," Broken Bells’ "Broken Bells"

    I write this as a guy who thinks “Shake The Sheets” is a 5-star record, and got into Ted Leo’s older stuff because of it and to the extent that it points toward “Sheets;” “The Brutalist Bricks” is less than the sum of its parts.

    tedleo_jpg.jpg Must-hear!
    Recommended
    Good
    Fans only
    Skip this
    Owww! My ears!

    Leo & Co.’s inclusion of some fresh sounds – acoustic guitar, synthy noise – are welcome in theory, but make “Bricks” seem a bit too ProTooled.  Song arrangements depart from verse/chorus/verse, which, again, seems good on paper but never gels.  Wish I could say it did; my hopes were high, but this is a classic record that’s for fans only.  If you don’t love TL+P already, “The Brutalist Bricks” won’t convert you.

    brokenbells.jpg Must-hear!
    Recommended
    Good
    Fans only
    Skip this
    Owww! My ears!

    As impossible as it would seem to predict before hearing “Broken Bells,” this superduo’s debut – the Shins’ James Mercer and Danger Mouse (The Grey Album, Gnarls Barkley, Gorillaz’ “Demon Days” – sounds about like you’d expect. And it will probably deliver at about the level you anticipate.

    I imagine it went down like this:

    1) James demo’d some songs

    2) DM took each element, chords, vocals, lead lines, etc., and treated them as sample sources for his own re-creations

    3) Voila; “Broken Bells.”

    I’m sure it was more collaborative than that, but that’s about what we hear.  And it’s super-solid; no more, no less.

    MR|Review directs readers’ limited attention among works via ratings, and within works via prose, focusing on works where our opinion diverges from critical or popular consensus, or we have significant insight that compliments or challenges readers’ aesthetic experience.
  • 2010-03-20 Dynamic Range Day

    Dynamic Range Day – Loudness War ProtestMastering is tricky business; there are so many options, and such fine balances to weigh, that it’s never a straightforward proposition.  That being so, the final dynamics of the music I work with is always my top concern.  If the final master is too crushed, loud, and flat, or (on the other side of the spectrum) perceived as too soft relative to other music that listeners are likely to hear, nothing else I do is going to make up for it; it won’t be an enjoyable listen.

    Toward that end, from the Production Advice blog:

    Dynamic Range Day is March 20th, 2010

    Join us in a day of protest against the CD “Loudness Wars” – more info below

    • Show your support – check out the Facebook Event and RSVP to say you’ll “attend”
    • It’s easy to take part – just SHOUT (type in all caps) ALL DAY, EVERYWHERE !
    • And when people ask, tell them why you’re shouting
    • Add a Dynamic Range Day Banner to your website or blog
    • Use the Twitter hashtag #DYNAMICRANGEDAY

    Read the full story here: Dynamic Range Day – The Idea

    Latest News

    What are the “Loudness Wars” ?

    Music is getting louder, and sounding worse.

    Engineers and artists are using modern technology to push the average level of recorded music up and up and up against the “brick wall” maximum level of the CD format.

    This results in distortion, lack of punch and a flat, two-dimensional, lifeless sound …

  • Panda Face Release Wednesday

    This Wednesday, March 3, Mr. Furious Records and Brandon McKenzie will release Panda Face’s self-titled record.

    Some of you know Brandon from Lincoln, NE indie band Strawberry Burns and his solo work as BLANE.  To my ears, if you dig BLANE (or MFR’s own Bike) you’ll enjoy Panda Face.

    If you don’t know, give it a shot on Wednesday! -h