“Songs of -h” is still available; mail your cash or check gift to
St. Peter’s United Church of Christ
Mexico Trip 2008
700 E. 110th St.
Kansas City, MO 64131
and we’ll use it to build a house in Tijuana this June for a family that needs one. In the meantime, check out these desktops!
In a BAP (Big Ass Pot), brown the onions and garlic (and celery/extra peppers, if you’re doing that) in olive oil. When you get some good browning happening, make a hot spot at the bottom of the pot (push the onions aside, maybe add a pad of butter) and add the apples (and carrots, if you’re doing those) for just a couple minutes. Make a hot spot again (no oil/butter needed) and add the blended/processed chipotles, just to let them bloom for a minute. Add the tomatoes, give them a few minutes to bloom/reduce (especially if using fresh tomatoes), then add the beans. Simmer for as long as you like, add any final spices you like (cumin seed, Mexican oregano, hot sauce, salt if needed).
I add a shake or two of salt at every step, so by the end, you shouldn’t need much, if any, additional salt.
You can serve it with crackers, popcorn, rice, crusty bread, veggies & dip, etc. Garnish options: sharp cheddar, cilantro, fine-chopped onion, green onion…
A bold dose of cinnamon in a bowl of this chili will take it in a completely different direction.
* Updated 29 Oct 2012
I just posted The Sleepover’s “Built For It,” from their obnoxiously long-titled EP, below as our twelfth “Furious Instance.” We should do more of those, it’s a good idea; a home for all the stuff that doesn’t have a home on a proper release.
(The streaming version is also up-to-date) -h
Way to go, kids!
“I think it (The Sleepover) kind of sits in between Shacker and Robot. We have songs that are more driven and aggressive and then we have other songs that are really mellow and just really beautiful,” Tucci said. “I think we have a nice, full sound compared to some of the other bands that Cory and I have been in, where it’s been kind of lopsided sometimes.”
The Sleepover’s sound is a little bit pop and definitely rock, but there’s something about it that blends the two together in an obvious way, but not so obvious that you can give it a name.
“I like to be a little bit edgy. Not Prince edgy, but you know what I mean,” Kibler said.
They play Sunday night at Box Awesome, 815 “O” St., Lincoln NE, 18+, $5.
MFR will post their song “Built For It’ to Furious Instance… soon.
On my way home from evening activities last night, ScoMo called. His blues band is playing at Blayney’s here in Kansas City April 18 and 19. Did I want to hang out on Saturday (19)?
YES. And it just so happens that I am playing an acoustic show that afternoon.
howie&scott at the KCSPUCC Craft Fair
10 AM – 4 PM (MAP), Saturday, April 19
Kansas City, MO, US
We’ll be playing off and on throughout the afternoon, tightrope-walking with no net. We will play songs Scott has never played before. We’ll play songs you’ve never heard before. We’ll (attempt to!) play old stuff. It will be fun. If you’re around at 4, we can go have dinner together and hang out. If you need a place to stay, I can probably help with that.
This will also be the release of “Songs of -h,” AKA the “howie comp.” “Songs of -h” has fourteen of my best songs released on Mr. Furious Records, including several of your choices (the acoustic “Open Columns,” “New Slow Sea,” and “The Picture Song”). It also includes three exclusive tracks: “Stop Walking (live)” from the h&s Summer’s End sessions, “Set You Ablaze” from Lone Prairie Records’ “Killers in the Nebraska Territory” murder ballad compilation, and a brand-new acoustic recording of “Major & Minor.”
The disc will be packaged in a handmade origami case, and come with two pages of liner notes with stories and background information I’ve never shared before about each song. I’m limiting the release to 100 copies, hand-numbered and signed.
I suggest that folks make a $20-40 gift to help send two high-school-age friends of mine to Tijuana, Mexico in June, where we will build a simple but strong house for a family that doesn’t have one. 100% of your gift will go to the trip fund. The trip cost, including construction materials and AMOR Ministries’ ground support team, is about $1100 per person.
“Songs of -h” will not be available digitally via Mr. Furious Records, and this will be the only opportunity to pick up the acoustic “Major & Minor” and the liner notes… ever!
IF YOU DON’T EXPECT TO SEE ME IN PERSON during April or May, leave a comment on this post with your email address. I will get in touch with you, let you know how you can make your gift toward the Mexico trip, and get a copy in the mail for you.
I am mega-excited about this. I haven’t had my work printed on CDs since “signs.comets,” more than four years ago. It’s a special project that came about in a sublime way for a great cause. Thanks for your gifts of friendship, input, songwriting (Cory & Joel!), time, origami (Tim!), listening, and money.
Full tracklist:
Songs of -h
1. Snow is a Bear
2. J. Cougar Mellensong
3. Coast & Plains
4. New Slow Sea
5. What U Do 2 Me
6. Open Columns (acoustic)
7. Tired Chords (live)
8. Stop Walking (live)
9. Major & Minor (acoustic)
10. Set You Ablaze
11. Back in the Fire
12. The Picture Song
13. America Votes 2032
14. The Last Song
Jill and I walked into the Beaumont to the strains of lumberjacks playing free jazz.
(No joke.)
The exercise was probably another case of Mike Doughty’s band opening for itself (his drummer and bassist are also in official tour openers The Panderers). We hung out in the back and read The Bridge’s interview with The Elders from the pamphlet handed to us at the door.
The Panderers are the first act signed to Doughty’s micro-label Snack Bar, which makes a lot of sense. Like Mike they play repetitive harmonic progressions with quirky vocal rhythms. Unlike Mike, they are more bluesy / rock and roll, and they are not entirely awesome.
Jill commented that the crowd was pretty diverse, and not at all dominated by hipsters. Mike’s post-Soul Coughing music doesn’t seem to be that cool; too AAA for the tastemakers. I don’t imagine that liking MD adds an ounce of indie cred in the Pfork circles.
After snagging the next-to-last Boulevard Wheats in the house (they didn’t have any Lunar), we moved to a perfect spot on the floor and skittishly prepared for haughty melodies and golden deliciousness.
We would be satisfied.
From the opening beat and hits of “I Just Want The Girl In The Blue Dress To Keep On Dancing,” Mike and the band shuffled old and new songs together with banter, broken sustain pedals, songs written by four-year-olds, fake last songs, and listening to people yell requests until someone called for the next song on the setlist. The sound was clear and warm, and had good grip. “Apparently, transcendence looks a little like going to a rock concert,” Jill said.
Mike played the cool, confident professional to his band’s looser, more DIY vibe; there was a halo of giddy guilt glowing over Pete, John, and Scrap, like they’d snuck into a higher-profile gig than they thought they deserved and were getting away with it. The subtle partition had the effect of turning Mike into a sort of subversive crooner, infiltrating a world of NPR-approved indie pop with deconstructed tunes, freely associative poems, and a band that seemed almost punk in this context.
I loved it. Thanks for a great night of music, Mike & band.
This morning (Thursday, as I write) I woke up with “Long Black American Car” in my head. Those are the best shows; the ones that are still echoing through you the morning after.
“Aimless sister, you’re surrounded
Angel-faced and I’m astounded
“Easy, cowboy, what’s the rush now?
She may cleave me like a snowplow
How sweet you are, how sweet you are
“In your long, black American car
And you know just where to find me
If I don’t know who you are
You will remind me
“You will remind me”
Mike’s lyrical fractured-ness is perfect. It’s pretty impossible to hear straight-up love, or story, or issue, or party songs in this day and age of ironic distance and history-worship/vandalization; rather than succumbing to skepticism as an end in itself, he comes at his subjects sideways, in zigs and zags, and takes me somewhere I need to go by a route that I can fully dig with integrity.
\\\\
The KC Star’s review here | Mike Doughty’s band live from this tour (March 18) here
“Two Days in the Valley,” a song from The Musical Tales of Pat Bradley, has been added to MR|Mix. We’ll drop the album tomorrow. Pat is playing a show in Lincoln on Tuesday night; please comment if you have further details!
In order to display mrfuriousrecords.com correctly, you’ll need to have Firefox or update to Internet Explorer 7. I’m still planning to update some of the deeper content soon.
dollarcd.com is apparently defunct, and that was my plan for the howie-comp. I’m pondering backup plans.
Around the web, NPR is streaming some great stuff from this week’s SXSW conference.
I picked up tickets to shows in the next couple weeks by Mike Doughty and SPOON.
The longer I’ve thought about pay-what-you-want, the less I like it. I’ve been thinking about doing some merch via CafePress. Then I discovered they do CDs, too.
50 Bears are meeting with a potential singer on Tuesday.
And 5*Joel is unexpectedly back in KC for the mid- to long-term. I haven’t seen him yet, but will soon.
I think the new site looks good enough to launch, so here it is for good. Leave a comment or email mr (at) mrfuriousrecords.com if you encounter technical/aesthetic difficulties.
Since this took all morning, I don’t know how the rest of the day is going to play out. I’d like to finish & sign off on my mastering for Pat Bradley’s record, and I’m kind of itching to lay decent scratch vocal tracks on the “There is Something and not nothing” material and burn discs for Matt and I to listen to. We’ll see about that.
I will be starting to fool around with a new theme, starting tonight. The site may look different from moment to moment as you click around, but all the music should remain accessible. -h
Last weekend I cut a new practice tape with Fifty Bears in a Fight, and the results are up on our myspace, including new songs and better versions of old ones. We’re still looking for a singer/howler/yeller/wailer.
I spent an hour yesterday at Half-Price Books, burning time between work and play, and picked up all this outstanding vinyl for $10:
Jill, Tim and I watched a documentary on U2’s The Joshua Tree that was pretty great. It was cool to hear Daniel Lanios talking about how different songs were recorded, tracks they didn’t use, etc. Flood is a giant music nerd (= awesome) and it’s still my pie-in-the-sky dream to have him produce a record of mine. I think the doc came out a couple years ago, though the album reissue is just a couple months old. It left me wanting more, and wanting to get the record out and listen to it, which is probably the point. I was amazed to see footage from the Zoo TV tour of the band playing these passionate, heart-on-sleeve, rural-America inspired tunes; I didn’t know they were still playing a lot of that stuff on the Zoo tour.
Projects:
The Sleepover – I finished mastering the first EP for Cory’s new band this week. We’re going to put one track on Furious Instance, and the rest will be available via the band.
The Combine – Nick tells me they’re about done writing the new tracks that we’re going to bundle with a few from their album for a MFR EP release. Super-looking-forward to that.
Pat Bradley – I’m listening to and tweaking a second master version, anticipating a MFR release in a few weeks.
There is Something and not nothing – I’ve finished all bass, keys, and guitars for Sally Ride’s fourth. (It’s fourth in my mind even though it will probably come out before Boots.) So when I get my voice back I’ll start singing, and Matt will come play drums soon. I gave him a disc with three songs on it that had rough vocals and drum loops, and I think he was pretty surprised even though he’s heard the demos.
Howie comp – I think I’ve got a tracklist nailed down, I haven’t decided on a title, and I’ve been too sick to even think about recording an acoustic “Major & Minor.”
MFR – Once Pat Bradley is out, I’m going to spend some time working on new images for the site and possibly a whole new WordPress theme. -h
