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Moar Dabbling

19 October 2014 in [blog]

Part 2 of my dabble session with Jill is up at ClassyMcGraceful.  (Part 1 here.)

Rather than rambling about it here, why not just go read it?  Jill and Sandy to a great job with these posts, and it was fun to hang out, snack snacks, be interviewed, and sketch.

Still can’t parse the bangs, though.  -h

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mr|ten Originals and Covers, Part 1

12 October 2014 in [blog]

mr|ten has inspired some of you to go back and check out the original versions of the songs we covered for our 10th birthday.  In this series I’ll put the originals and covers side-by-side with commentary.

Am I Getting Through To You

To kick us off, here’s White Air’s “Am I Getting Through To You” from White Air:

  • I love the drum programming, and the weird, off-beat way it launches the song
  • This tune has a lot of background vocal layers, and semi-improvised guitar parts.  These posed a challenge for a solo acoustic version
  • The arrangement is basically variations over the main bass line; it’s pretty static, harmonically.  This was a second major challenge for the cover

Here’s my cover, as Sally Ride:

  • After learning the bass line and some of the guitar hooks, I tried to come up with several different options for the same main part, with different levels of intensity, to give the arrangement some ebb and flow
  • Without the crazy backing vocals to weird it up, I aimed to just play and sing with a lot of energy, kind of on the edge, to try and get some of that slightly un-hinged vibe
  • I recorded this track with a reference pitch of A=424, which turned out to be awesome for my voice.  This was the first vocal take!  (Though it’s only one guitar and one vocal track, I recorded them in separate passes)

Break This Dollar

Mars Lights’ original:

  • Tim actually wrote the original vocals to this track!  He’s featured on backing vocals in the recording, too
  • I couldn’t understand all of his lyrics on his demo, so the lyrics here are a combination of his originals (including “Break this dollar!”), my mondegreens of what I thought I heard him singing, and me writing some stuff around the edges, a line here or there, to fill it out
  • Matt and Drew brought some awesome edge-of-chaos punk energy to the recording.  I kind of anchor it

Timothy Scahill’s cover:

  • This was the first track I got back from an artist participating in mr|ten, and it really amped me up
  • Tim recorded all of this on an iPad!  Incredible.  I love the nutso drum programming
  • Tim captures the rushing-forward feeling of the original, while actually changing quite a bit and adding things – guitar parts, vocal hooks, arrangement details, the whole coda – of his own.  Very cool

Clockblocking

Robot, Creep Closer! from Real Awful, Real Quick:

  • The band holds the loud rock-out bit off until the end; this was unusual for R,CC!
  • This tune is really built on the rhythm section; bass riff and off-beat kick against the 1-2-3-4 snare on the verses, then the interesting drum part and guitar wacka-wackas on the chorus.

D-Rockets cover:

  • Derek nails this; he took a song that I’d never expect to hear an acoustic version of, and makes it his own, and makes it beautiful
  • Cool details; the slightly flamenco guitar riff, the chorus vocal harmony, the shaker throughout
  • Somehow, the verses become even creepier and sadder than the original (to my ears, at least)
  • Because it’s layered and doubled subtly, it doesn’t draw attention, but by the end I think there are at least three guitar tracks, four vocal tracks, and the percussion track happening at once

Those are my thoughts.  What jumps out at you between these originals and their covers?

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Dabbling with Jill

4 October 2014 in [blog]

Last Saturday I hosted Jill for one of her Share-With-Me Saturday sessions.

I know so many gifted professionals (in Kansas City, back at home in South Dakota, just all over this crazy country) that I thought it’d be fun to get outside of my own head and go into their heads for awhile … I’ve created a 10-item survey (that’s all I could get free on Survey Monkey) and have asked over 50 artists/business owners/lovely people to complete it. Within the survey, I ask them questions about life, the work they do, and if I can come “dabble” with them sometime. If they say yes, I’ll go spend some time in their element, whatever it looks like, and I hope they’ll spend a little time sketching and feeling feelings with me.

Part 1 of her blogging about the auspicious event is up today.  I had forgotten how real those survey questions got.

Dabbling so hard

Dabbling so hard

DSC_0746

Jill makes bass face!  Este Haim, you are on notice.

Just a couple of the photos, all by the wonderful Sandy Woodson.

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